The Dante Journal of Singapore (Volume I)
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DescriptionThe Dante Journal of Singapore contains essays from undergraduate students of Yale-NUS College. The essays are revisions of the final student projects in the literature seminar YHU2230 Dante and the European Middle Ages, taught by Professor Andrew Hui. The essays collected in Volume I are from Semester 1 of the 2015/2016 Academic Year.CreatorAndrew Hui (Faculty Editor)Carmen Denia (Student Editor)Thu Truong (Student Editor)Date2017Volume1PublisherYale-NUS CollegePages99Place of PublicationSingaporeFormatScholarly JournalLanguageEnglishArticles1. Faculty Editor's Foreword
2. Student Editors’ Foreword
3. Dante's Addresses to the Reader: A New Way of Seeing and Reading
4. How To Become A Scribe: Art And Humility In The Divine Comedy
5. LA DIVINA MIMESIS: Art in the Terrace of Pride in Divina Commedia
6. Divine Hunger in Dante’s Purgatorio
7. The Middle of the Journey: Dante’s Reversal of Phaethon and Lucifer in Canto 17 of The Divine Comedy
8. Every Tongue Would Surely Fail: The Visual and the Verbal in the Illustrations of the InfernoContributorChristopher TeeRitika BiswasCarmen DeniaRebecka LindebergBenson PangSean Cham (Typesetter)Dominie Press (Printer)Yale-NUS College Centre for Teaching and Learning (CTL)RemarkAll translations of Dante are from the edition of Robert M. Durling and Ronald L. Martinez in their Inferno, Purgatorio, and Paradiso (Oxford: Oxford University Press, 1997,2004, and 2013).
The illustrations that accompany the essays are from “The Divine Poem of Dante Alighieri,” after John Flaxman (1755-1826). Etching on paper. Image released under Creative Commons CC-BY-NC-ND, courtesy of Tate Britain.
Artwork on copyright page credited to Michelangelo Caetani. La materia della Divina commedia di Dante Alighieri dichiarata in VI tavole Montecassino: Monaci benedettini di Montecassino, 1855. Plate IV (Public Domain).
Illustration on page 89 credited to Gustave Dore, Canto 13, date unknown, etching.
Illustration on page 90 credited to Gustave Dore, Canto 24, date unknown, etching.
Illustration on page 91 credited to Gustave Dore, Canto 1, date unknown, etching.
Illustration on page 92 credited to Sandro Botticelli, Mappa dell'lnferno, date unknown, parchment.
Illustration on page 93 credited to Sandro Botticelli, La Carte de L'Enfer, date unknown, parchment.
Illustration on page 94 credited to Sandro Botticelli, Canto 1, date unknown, drawing.
Illustration on page 95 credited to Gustave Dore, Canto 2, date unknown, drawing.
Illustration on page 96 - 98 credited to Rico Lebrun, Canto XIII, 1963, ink wash, Drawings for Dante's Inferno.
Illustration on apge 99 credited to Sandro Botticelli, Canto XIII, date unknown, drawing.
2. Student Editors’ Foreword
3. Dante's Addresses to the Reader: A New Way of Seeing and Reading
4. How To Become A Scribe: Art And Humility In The Divine Comedy
5. LA DIVINA MIMESIS: Art in the Terrace of Pride in Divina Commedia
6. Divine Hunger in Dante’s Purgatorio
7. The Middle of the Journey: Dante’s Reversal of Phaethon and Lucifer in Canto 17 of The Divine Comedy
8. Every Tongue Would Surely Fail: The Visual and the Verbal in the Illustrations of the InfernoContributorChristopher TeeRitika BiswasCarmen DeniaRebecka LindebergBenson PangSean Cham (Typesetter)Dominie Press (Printer)Yale-NUS College Centre for Teaching and Learning (CTL)RemarkAll translations of Dante are from the edition of Robert M. Durling and Ronald L. Martinez in their Inferno, Purgatorio, and Paradiso (Oxford: Oxford University Press, 1997,2004, and 2013).
The illustrations that accompany the essays are from “The Divine Poem of Dante Alighieri,” after John Flaxman (1755-1826). Etching on paper. Image released under Creative Commons CC-BY-NC-ND, courtesy of Tate Britain.
Artwork on copyright page credited to Michelangelo Caetani. La materia della Divina commedia di Dante Alighieri dichiarata in VI tavole Montecassino: Monaci benedettini di Montecassino, 1855. Plate IV (Public Domain).
Illustration on page 89 credited to Gustave Dore, Canto 13, date unknown, etching.
Illustration on page 90 credited to Gustave Dore, Canto 24, date unknown, etching.
Illustration on page 91 credited to Gustave Dore, Canto 1, date unknown, etching.
Illustration on page 92 credited to Sandro Botticelli, Mappa dell'lnferno, date unknown, parchment.
Illustration on page 93 credited to Sandro Botticelli, La Carte de L'Enfer, date unknown, parchment.
Illustration on page 94 credited to Sandro Botticelli, Canto 1, date unknown, drawing.
Illustration on page 95 credited to Gustave Dore, Canto 2, date unknown, drawing.
Illustration on page 96 - 98 credited to Rico Lebrun, Canto XIII, 1963, ink wash, Drawings for Dante's Inferno.
Illustration on apge 99 credited to Sandro Botticelli, Canto XIII, date unknown, drawing.
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Number of Copies1Date Digitised19-Nov-20Original FilenamePE00175_The Dante Journal of Singapore. Vol 1. 2017Archive NumberPE00175Group By2017Sort By001-001
Related To
Thu Truong (Student Editor), The Dante Journal of Singapore (Volume I) (2017). Yale-NUS College Digital Archives, accessed 06/12/2024, https://collegedigitalarchives.yale-nus.edu.sg/nodes/view/444
